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When Constance Garnett's translations (1910–20) made Dostoevsky's novels accessible in England for the first time they introduced a disruptive and liberating literary force, and English novelists had to confront a new model and rival. The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy and James - either admired or feared Dostoevsky as a monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel.
ebook,Peter Kaye,Dostoevsky and English Modernism 1900–1930,Cambridge University Press,European - English, Irish, Scottish, Welsh,20TH CENTURY ENGLISH LITERATURE,20th century,Appreciation,British Isles,Collections anthologies of various literary forms,Dostoyevsky, Fyodor,Dostoyevsky, Fyodor - Influence,English,English literature,English literature - 20th century - History and criticism,English literature - Russian influences,English literature;20th century;History and criticism.,English, Irish, Scottish, Welsh,European - English, Irish, Scottish, Welsh,First World War, 1914-1918,Great Britain,Great Britain/British Isles,History,History and criticism,Influence,Inter-war period, 1918-1939,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,Literary Criticism,Literary studies fiction, novelists prose writers,Literary studies from c 1900 -,Literary studies general,Literature - Classics / Criticism,Modernism (literature),Modernism (literature) - Great Britain,Modernism (literature);Great Britain.,Non-Fiction,Russian,Russian fiction,Russian fiction - Appreciation - Great Britain,Russian fiction;Appreciation;Great Britain.,Scholarly/Graduate,UNIVERSITY PRESS,c 1900 - c 1914,English, Irish, Scottish, Welsh,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,Literature - Classics / Criticism,20th Century English Literature,20th century,Appreciation,English literature,Great Britain,History and criticism,Modernism (literature),Russian fiction,Literary Criticism,Collections anthologies of various literary forms,Literary studies fiction, novelists prose writers,Literary studies from c 1900 -,Literary studies general

Dostoevsky and English Modernism 1900&ndash1930 eBook Peter Kaye Reviews :

When Constance Garnett's translations (1910–20) made Dostoevsky's novels accessible in England for the first time they introduced a disruptive and liberating literary force, and English novelists had to confront a new model and rival. The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy and James - either admired or feared Dostoevsky as a monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel.

ebook,Peter Kaye,Dostoevsky and English Modernism 1900–1930,Cambridge University Press,European - English, Irish, Scottish, Welsh,20TH CENTURY ENGLISH LITERATURE,20th century,Appreciation,British Isles,Collections anthologies of various literary forms,Dostoyevsky, Fyodor,Dostoyevsky, Fyodor - Influence,English,English literature,English literature - 20th century - History and criticism,English literature - Russian influences,English literature;20th century;History and criticism.,English, Irish, Scottish, Welsh,European - English, Irish, Scottish, Welsh,First World War, 1914-1918,Great Britain,Great Britain/British Isles,History,History and criticism,Influence,Inter-war period, 1918-1939,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,Literary Criticism,Literary studies fiction, novelists prose writers,Literary studies from c 1900 -,Literary studies general,Literature - Classics / Criticism,Modernism (literature),Modernism (literature) - Great Britain,Modernism (literature);Great Britain.,Non-Fiction,Russian,Russian fiction,Russian fiction - Appreciation - Great Britain,Russian fiction;Appreciation;Great Britain.,Scholarly/Graduate,UNIVERSITY PRESS,c 1900 - c 1914,English, Irish, Scottish, Welsh,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,Literature - Classics / Criticism,20th Century English Literature,20th century,Appreciation,English literature,Great Britain,History and criticism,Modernism (literature),Russian fiction,Literary Criticism,Collections anthologies of various literary forms,Literary studies fiction, novelists prose writers,Literary studies from c 1900 -,Literary studies general

Dostoevsky and English Modernism 1900–1930 eBook Peter Kaye

 

Product details File Size 3861 KB Print Length 258 pages Simultaneous Device Usage Up to 4 simultaneous devices, per publisher limits Publisher Cambridge University Press; 1 edition (May 6, 1999) Publication Date May 6, 1999 Language English ASIN B001TH8VHM

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